Mirkwood - Mirkwood (1973), UK

Mirkwood - Mirkwood (1973), UK

A haunting blend of melodic psych-prog and early British hard rock, built on shimmering twin-guitar lines that echo Wishbone Ash’s elegance while drifting into darker, more atmospheric territory.

Its songs move between pastoral, folk-tinged calm and slow-burning, emotionally charged climaxes, giving the album a moody narrative flow typical of the UK underground.

The production is raw but warm, enhancing the intimate interplay between guitars and adding a subtle haze that deepens its dreamlike character.

A cherished British obscurity—lyrical, mysterious and one of the most compelling guitar-driven private-press prog albums of the early ’70s.

Una mezcla envolvente de psicodelia melódica y primer hard rock británico, construida sobre líneas de guitarra gemelas que recuerdan la elegancia de Wishbone Ash mientras se adentran en territorios más oscuros y atmosféricos.

Sus temas oscilan entre una calma pastoral con toques folk y clímax lentos y llenos de emoción, dando al álbum un flujo narrativo sombrío típico del underground británico.

La producción es cruda pero cálida, realzando la interacción íntima entre las guitarras y añadiendo una ligera neblina que intensifica su carácter onírico.

Una rareza británica muy apreciada: lírica, misteriosa y una de las obras privadas más sugerentes del prog guitarrero de principios de los 70.

Gracious! – This Is… Gracious!! (1971, UK)

 

Gracious! – This Is… Gracious!! (1971, UK)

A darker, more ambitious follow-up that blends symphonic prog with experimental edges, shifting between delicate melodies and powerful, dramatic crescendos.
Its long compositions unfold with rich dynamic contrast—haunting acoustic passages giving way to swirling Mellotron, organ surges and intense guitar lines.
There’s a strong sense of narrative and emotional depth throughout, making the album feel almost like a progressive suite in multiple acts.
A bold and underrated masterpiece—mysterious, expansive and one of the most distinctive releases from the early-70s UK art-prog underground.

Gracious! – This Is… Gracious!! (1971, UK)

Un segundo álbum más oscuro y ambicioso, donde el sinfónico británico se mezcla con toques experimentales cercanos a King Crimson y Van der Graaf Generator.
Las piezas largas exploran contrastes muy marcados: pasajes acústicos delicados que desembocan en oleadas de Mellotron y órgano casi cataclísmicas.
El enfoque narrativo recuerda por momentos a Genesis temprano, pero con un carácter más áspero y teatral.
Un clásico subestimado del art-prog UK—misterioso, expansivo y profundamente conectado al espíritu Charisma.

Gracious! – Gracious! (1970, UK)

 

Gracious! – Gracious! (1970, UK)

A beautifully crafted blend of early symphonic prog and dramatic British art-rock, driven by warm Mellotron, expressive guitar lines and a refined melodic sense.
Its long-form pieces unfold with a theatrical elegance—shifting from gentle, pastoral moods to intense, crimson-tinged climaxes with effortless flow.
The arrangements are rich yet never cluttered, giving the album a luminous, immersive atmosphere full of emotional nuance.
A cornerstone of early UK prog—majestic, sophisticated and one of the most enduringly beautiful hidden gems of the Charisma era.

Gracious! – Gracious! (1970, UK)

Un sinfónico temprano exquisitamente construido, con Mellotron cálido, guitarras expresivas y un sentido melódico muy refinado.
Las piezas largas fluyen con teatralidad británica, alternando paisajes pastorales con clímax intensos al borde del Crimson temprano.
Los arreglos son ricos, luminosos y siempre equilibrados, creando una atmósfera inmersiva y llena de matices emocionales.
Un clásico fundamental del prog británico—majestuoso, sofisticado y una joya eterna de la era Charisma.

Morgen – Morgen (1969, USA)

 

Morgen – Morgen (1969, USA)

A blazing slice of late-60s heavy psych, powered by searing fuzz guitar, hallucinogenic textures and Steve Morgen’s intense, charismatic vocals.
The album blends raw garage energy with surprisingly sophisticated melodic ideas, creating a dark, electric, almost nightmarish atmosphere.
Its riffs are sharp and driving, yet the arrangements remain spacious enough to feel dreamlike and hypnotic at times.
A legendary U.S. psych masterpiece—fiery, dramatic and one of the most powerful cult albums of the era.

Morgen – Morgen (1969, USA)

Un estallido de heavy-psych tardosesentero, impulsado por guitarras fuzz incendiarias y una energía eléctrica casi febril.
Combina garaje oscuro con melodías sorprendentemente elaboradas, creando un ambiente tenso y onírico.
Sus riffs afilados conviven con arreglos espaciosos que aportan un toque alucinógeno e hipnótico.
Un clásico legendario del psych estadounidense—fiero, dramático y enormemente influyente en el culto underground.

Brainticket – Cottonwoodhill (1971, Switzerland/Belgium)

 

Brainticket – Cottonwoodhill (1971, Switzerland/Belgium)

A hallucinatory collision of psychedelic rock, proto-kraut and experimental sound collage, built on hypnotic organ grooves and spiralling, trance-like repetition.
The album blurs music and delirium, layering spoken-word visions, distorted textures and relentless rhythmic cycles into a surreal sonic vortex.
Despite its wild reputation, there’s a strange melodic consciousness beneath the chaos—almost ritualistic in its emotional intensity.
One of the most mind-bending albums of the early ’70s—dangerous, immersive and absolutely unique in the European psych-prog canon.

Brainticket – Cottonwoodhill (1971, Switzerland/Belgium)

Una experiencia psicodélica extrema: rock, kraut temprano y collage experimental envueltos en un flujo hipnótico y casi delirante.
Capas de órgano repetitivo, voces visionarias y texturas distorsionadas construyen un torbellino sonoro único.
Bajo su fama de disco “peligroso”, hay un extraño sentido melódico que le da cohesión ritual al caos.
Una obra emblemática del underground europeo—fascinante, radical y absolutamente irrepetible.

Frumpy – Frumpy 2 (1971, Germany)

 

Frumpy – Frumpy 2 (1971, Germany)

A dramatic blend of organ-driven progressive rock and soulful, psychedelic heaviness, carried by expressive guitar lines and powerful, emotive vocals.
Its long-form compositions move through shifting moods—brooding, mystical, and then suddenly soaring—with strong melodic themes anchoring the journey.
The interplay between keyboards and guitar creates a lush, almost symphonic aura despite the band’s stripped-down lineup.
A cornerstone of early German prog—intense, passionate and richly atmospheric.

Frumpy – Frumpy 2 (1971, Germany)

Una poderosa combinación de prog conducido por órgano y psicodelia soul-rock, envuelta en una atmósfera dramática y emocional.
Las composiciones largas se mueven entre pasajes místicos, tensos y súbitas expansiones melódicas de enorme fuerza expresiva.
El diálogo entre teclados y guitarra genera un aura casi sinfónica, pese a la formación reducida del grupo.
Un pilar del prog alemán temprano—intenso, apasionado y profundamente atmosférico.

Satin Whale – Desert Places (1974, Germany)

 

Satin Whale – Desert Places (1974, Germany)

A richly melodic fusion of symphonic prog and warm, guitar-driven krautrock, filled with expressive solos and fluid, expansive arrangements.
The flute and keyboards add a strong pastoral glow, giving the music a dreamy, flowing character that recalls Camel’s softer side.
Its lengthy instrumentals evolve organically, shifting between gentle atmospheric sections and soaring, emotional climaxes.
A beautiful and underrated German prog classic—lyrical, spacious and quietly powerful from start to finish.

Satin Whale – Desert Places (1974, Germany)

Una mezcla melódica de sinfónico suave y krautrock cálido, repleta de solos expresivos y arreglos amplios y fluidos.
La flauta y los teclados aportan un brillo pastoral que envuelve al disco en un clima soñador y elegante.
Sus largos pasajes instrumentales evolucionan con naturalidad, entre atmósferas suaves y clímax llenos de emoción.
Una joya subestimada del prog alemán—lírica, espaciosa y discretamente poderosa de principio a fin.

Dark – Dark Round the Edges (1972, UK)

 

Dark – Dark Round the Edges (1972, UK)

A raw, atmospheric blend of heavy psych and proto-prog, driven by beautifully expressive guitar work and a warm, lo-fi production that adds intimacy and depth.
Its songs balance melancholic melodies with powerful instrumental breaks, creating a mood that feels both youthful and strangely timeless.
The interplay between guitars is especially striking—lyrical, emotional and effortlessly fluid throughout.
One of the rarest and most beloved UK underground albums of the era—mysterious, heartfelt and quietly majestic.

Dark – Dark Round the Edges (1972, UK)

Un cruce crudo y atmosférico entre heavy psych y proto-prog, marcado por guitarras expresivas y una producción lo-fi íntima.
Las canciones combinan melodías melancólicas con explosiones instrumentales que desprenden una energía juvenil irresistible.
El entretejido guitarrístico destaca por su lirismo, emoción y fluidez natural.
Una de las rarezas más queridas del underground británico—misteriosa, sincera y majestuosa en su sencillez

Gilgamesh – Gilgamesh (1975, UK)

 

Gilgamesh – Gilgamesh (1975, UK)

A beautifully intricate slice of Canterbury-style prog, full of fluid jazz harmonies, delicate electric piano textures and subtly interwoven guitar lines.
Its compositions unfold with quiet sophistication—lyrical, complex, but always warm and inviting rather than showy.
The interplay between keyboards and woodwinds creates a dreamy, introspective mood that drifts effortlessly between structure and improvisation.
A refined and understated masterpiece of the Canterbury underground—intelligent, melodic and quietly mesmerizing.

Gilgamesh – Gilgamesh (1975, UK)

Un delicado e intrincado ejemplo de prog estilo Canterbury, con armonías jazzísticas y un piano eléctrico que flota como seda.
Las composiciones se despliegan con una sofisticación tranquila: complejas, líricas, pero siempre cálidas y accesibles.
La interacción entre teclados y vientos dibuja un clima introspectivo, casi onírico, entre estructura e improvisación.
Una obra maestra discreta del Canterbury underground—inteligente, melódica y suavemente hipnótica

Rufus Zuphall – Weiß der Teufel...? (1971, Germany)

 

Rufus Zuphall – Weiß der Teufel...? (1971, Germany)

A haunting mix of flute-driven progressive rock and dark, rural kraut-psych, full of brooding atmospheres and long, hypnotic instrumental passages.
The interplay between guitar and flute creates a tension between pastoral calm and looming, shadowy intensity.
Its extended jams feel organic and improvisational, yet carry strong melodic ideas beneath the raw, earthy surface.
A true underground classic—moody, mystical and one of the most distinctive records of the German early-70s prog scene.

Rufus Zuphall – Weiß der Teufel...? (1971, Germany)

Una mezcla inquietante de prog conducido por flauta y kraut-psych oscuro, llena de atmósferas rurales y pasajes instrumentales hipnóticos.
El diálogo entre guitarra y flauta crea un contraste entre calma pastoral y una intensidad sombría que siempre está al acecho.
Sus extensas improvisaciones suenan orgánicas, terrenales y cargadas de tensión melódica.
Un clásico del underground alemán—místico, brumoso y con una personalidad totalmente única.

Blue Phantom – Distortions (1971, Italy)

 

Blue Phantom – Distortions (1971, Italy)

A wildly atmospheric blend of psychedelic rock, early proto-prog and heavy library-music experimentation, drenched in fuzz guitars and eerie organ lines.
Its tracks move like fragmented soundtracks—moody, hypnotic, and full of dramatic tension—creating a sense of surreal, cinematic darkness.
Despite its raw and mysterious origins, the music feels cohesive, driven by strong melodic motifs hidden beneath the distortion.
A cult psychedelic masterpiece—enigmatic, powerful and one of the most haunting European underground records of the early ’70s.

Blue Phantom – Distortions (1971, Italy)

Una mezcla atmosférica de psicodelia oscura, proto-prog y experimentación estilo library, saturada de fuzz y órgano inquietante.
Los temas funcionan como pequeños films sonoros: hipnóticos, tensos y profundamente cinematográficos.
Bajo la distorsión hay motivos melódicos fuertes que dan cohesión al viaje extraño y envolvente del álbum.
Una obra maestra psicodélica de culto—enigmática, poderosa y una de las joyas más inquietantes del underground europeo temprano.

Cos – Postaeolian Train Robbery (1974, Belgium)

 

Cos – Postaeolian Train Robbery (1974, Belgium)

A brilliantly inventive blend of jazz-prog, Canterbury warmth and subtle avant-garde touches, carried by fluid guitar lines and shimmering Rhodes textures.
Its compositions glide between playful rhythmic twists and dreamy, drifting passages, creating a sound both sophisticated and quietly hypnotic.
The female vocals are airy and impressionistic, adding a surreal, painterly quality rather than dominating the arrangements.
A cult European classic—quirky, clever and endlessly charming, perfect for fans of Hatfield, Camel’s softer side and Belgian underground prog.

Cos – Postaeolian Train Robbery (1974, Belgium)

Una joya inventiva que combina jazz-prog, calidez Canterbury y un toque avant-garde, con guitarras fluidas y Rhodes brillantes.
Las composiciones avanzan con elegancia entre ritmos juguetones y pasajes soñadores, manteniendo siempre una sofisticación amable.
Las voces femeninas, etéreas y pintorescas, aportan un aura surrealista sin dominar nunca los arreglos.
Un clásico europeo de culto—ingenioso, encantador y perfecto para fans del Canterbury melódico.

Odin – Odin (1972, Germany/UK)

 

Odin – Odin (1972, Germany/UK)

A fiery blend of progressive rock and jazz-rock, driven by expressive guitar work and rich Hammond organ textures.
The album shifts effortlessly between heavy, riff-based energy and more expansive, adventurous instrumental passages.
Its warm analogue sound and melodic phrasing give the music a deep emotional pull beneath its technical edge.
A cult gem of early-70s Euro-prog—bold, creative and full of vibrant, exploratory spirit.

Odin – Odin (1972, Germany/UK)

Una mezcla vibrante de rock progresivo y jazz-rock, impulsada por guitarras expresivas y un Hammond lleno de vida y color.
El disco alterna energía contundente con pasajes expansivos y aventureros, siempre con un tono emocional real y directo.
Su sonido analógico cálido y su fraseo melódico aportan profundidad sin comprometer la fuerza rítmica.
Un clásico de culto del prog eurobritánico—audaz, creativo y espiritualmente explorador.

Armaggedon – Armaggedon (1970, Germany)

 

Armaggedon – Armaggedon (1970, Germany)

A dark, organ-driven fusion of heavy psych and early prog, full of dramatic tension and brooding, melancholic atmospheres.
Its long tracks move between slow-burning intensity and raw, expressive guitar breaks, creating a sense of emotional weight and mystery.
The production is gritty but immersive, giving the album a haunting, underground character that fits its apocalyptic themes.
A powerful cult classic of German heavy-prog—moody, intense and unmistakably from the darker side of Krautrock.

Armaggedon – Armaggedon (1970, Germany)

Una oscura fusión de heavy-psych y primer prog, dominada por órgano y atmósferas densas de tensión emocional.
Los largos temas avanzan entre intensidad contenida y estallidos de guitarra expresiva, creando un flujo casi cinematográfico.
La producción, cruda pero inmersiva, refuerza el carácter subterráneo y apocalíptico del álbum.
Una obra de culto del heavy-prog alemán—sombría, intensa y profundamente atmosférica.

Light – Light (1971, Netherlands)

 

Light – Light (1971, Netherlands)

A warm, dreamy blend of melodic psych-prog and soft underground rock, carried by mellow guitar lines and hazy, late-night atmospheres.
Its songs move gently between reflective melancholy and brighter, more uplifting passages, always keeping a strong melodic centre.
There’s a subtle pastoral glow to the arrangements, giving the album an intimate, quietly emotional character.
A charming obscurity—perfect for listeners who enjoy soft, melodic early-70s European prog with a relaxed, contemplative feel.

Light – Light (1971, Netherlands)

Una mezcla cálida y soñadora de psych-prog melódico y rock underground suave, sostenida por guitarras mansas y atmósferas crepusculares.
Los temas se mueven entre melancolía reflexiva y pasajes más luminosos, manteniendo siempre un fuerte enfoque melódico.
Hay un leve resplandor pastoral en los arreglos, dándole un carácter íntimo y discretamente emocional.
Una encantadora rareza europea—ideal para quienes disfrutan del prog temprano suave, melódico y contemplativo.

Kestrel – Kestrel (1975, UK)

Kestrel – Kestrel (1975, UK)

A beautifully melodic blend of symphonic prog and polished art-rock, driven by warm vocal harmonies and richly textured guitar and keyboard work.
Its songs are tightly crafted yet emotionally open, shifting between uplifting hooks and more atmospheric, reflective passages.
The album’s smooth production and gentle progressive touches give it a distinctly British charm—elegant, heartfelt and quietly sophisticated.
A cult favourite of mid-70s UK prog—tuneful, refined and filled with understated melodic brilliance.

Kestrel – Kestrel (1975, UK)

Una delicada mezcla de sinfónico melódico y art-rock británico, con ecos de Camel, Pilot y los pasajes suaves de Barclay James Harvest.
El disco combina armonías vocales cálidas con guitarras cristalinas y teclados que recuerdan al Genesis más pastoral.
Las canciones, precisas y emotivas, mantienen siempre un equilibrio entre sensibilidad pop y elegancia progresiva.
Una joya oculta de 1975—suave, británica hasta la médula y repleta de melodías memorables.

Aleph – Surface Tension (1977, Australia)

 

Aleph – Surface Tension (1977, Australia)

A beautifully crafted instrumental fusion of symphonic prog and jazz-influenced rock, carried by expressive keyboards and fluid, melodic guitar work.
Its compositions are intricate yet warm, balancing technical sophistication with a gentle emotional transparency.
The music flows through shifting moods—sometimes energetic, sometimes dreamlike—always with elegant melodic focus.
A standout of the Australian prog underground: refined, atmospheric and full of luminous, quietly breathtaking moments.

Madroña – Madroña (1977, Australia)

 

Madroña – Madroña (1977, Australia)

A delicate and pastoral blend of symphonic prog and soft chamber-rock, full of warm acoustic textures and gentle melodic flow.
Its flute, strings and lightly woven keyboard lines create an intimate, woodland atmosphere that feels both dreamy and quietly emotional.
The songwriting leans toward subtle beauty rather than grand gestures, offering a refined sense of space and serene contemplation.
A rare and enchanting Australian gem—perfect for fans of the soft, pastoral side of Camel, Fruupp and early Renaissance.

Rainbow Theatre – The Armageddon & Rock Mass for Love (1976, Australia)

 

Rainbow Theatre – The Armageddon & Rock Mass for Love (1976, Australia)

A bold and theatrical fusion of symphonic rock, classical composition and choral drama, delivered with sweeping orchestral power.
Its massive arrangements—full of brass, strings and dynamic vocal sections—create a sense of apocalyptic grandeur rarely heard in 70s prog.
Despite its scale, the album maintains strong melodic clarity, weaving emotional themes through its complex, multi-part structures.
An extraordinary and ambitious cult work—operatic, intense and utterly singular within the progressive landscape.

Rainbow Theatre – The Armageddon & Rock Mass for Love (1976, Australia)

Una fusión atrevida y teatral de rock sinfónico, composición clásica y drama coral, presentada con una poderosa orquestación envolvente.
Sus enormes arreglos—llenos de metales, cuerdas y secciones vocales dinámicas—crean un sentido de grandeza apocalíptica raramente escuchado en el prog de los 70.
A pesar de su escala monumental, el álbum mantiene una fuerte claridad melódica, hilando temas emocionales a través de complejas estructuras multipartes.
Una obra de culto extraordinaria y ambiciosa—operística, intensa y totalmente singular dentro del universo progresivo.

Rainbow Theatre – Fantasy of Horses (1976, Australia)

 

Rainbow Theatre – Fantasy of Horses (1976, Australia)

A dramatic, highly orchestrated progressive rock epic that blends classical grandeur with richly melodic symphonic passages.
Its brass and woodwind arrangements give the music a sweeping, theatrical power, while the rhythm section keeps everything grounded and emotional.
The compositions are ambitious and cinematic, moving through shifting moods with remarkable precision and expressive depth.
A majestic and truly unique cult gem—perfect for fans of expansive, classical-leaning progressive rock with a strong melodic heart.

Rainbow Theatre – Fantasy of Horses (1976, Australia)

Un épico dramático de rock progresivo orquestado, que combina grandeza clásica con pasajes sinfónicos ricamente melódicos.
Sus arreglos de metales y maderas aportan un poder teatral expansivo, mientras la sección rítmica mantiene todo emocionalmente firme.
Las composiciones son ambiciosas y cinematográficas, moviéndose entre estados de ánimo cambiantes con precisión y hondura expresiva.
Una joya de culto majestuosa y única—ideal para amantes del prog expansivo, clásico y con fuerte corazón melódico.

Beckett – Beckett (1974, UK)

Beckett – Beckett (1974, UK)

A richly melodic blend of early progressive rock and refined hard-rock, carried by soaring vocals and beautifully expressive guitar work.
Its songs flow with emotional depth, moving from atmospheric softness to powerful, dramatic climaxes with impressive finesse.
The arrangements are thoughtful and elegant, giving the album a narrative sweep that feels far more ambitious than its modest fame suggests.

Famously, the track “Life’s Shadow” includes melodies and lyrics later echoed in Iron Maiden’s “Hallowed Be Thy Name”, adding a legendary layer to this cult classic.

Beckett – Beckett (1974, UK)

Una mezcla ricamente melódica de rock progresivo temprano y hard-rock sofisticado, sostenida por voces expansivas y líneas de guitarra bellamente expresivas.
Sus canciones fluyen con profundidad emocional, pasando de suavidad atmosférica a clímax poderosos y dramáticos con una finura impresionante.
Los arreglos son cuidadosos y elegantes, dando al álbum un arco narrativo que resulta mucho más ambicioso que su modesta fama sugiere.
Famosamente, el tema “Life’s Shadow” contiene melodías y letras que Iron Maiden retomaría en “Hallowed Be Thy Name”, añadiendo un aura legendaria a este clásico de culto.

Gomorrha – I Turned to See Whose Voice It Was (1972, Germany)

Gomorrha – I Turned to See Whose Voice It Was (1972, Germany)

A more refined and progressive evolution of their sound, blending heavy-psych foundations with richer arrangements and a stronger melodic focus.
The album moves through dramatic dynamic shifts, from tense, brooding passages to sweeping, almost symphonic climaxes.
Its organ textures and expressive guitar work create a dark, immersive atmosphere that feels both cinematic and deeply emotional.
A standout of early-70s German prog—ambitious, powerful and impressively coherent from start to finish.

Gomorrha – I Turned to See Whose Voice It Was (1972, Germany)

Una evolución más refinada y progresiva de su sonido, mezclando las bases heavy-psych con arreglos más ricos y un enfoque melódico más fuerte.
El álbum se mueve entre cambios dinámicos dramáticos: pasajes tensos y sombríos seguidos de clímax amplios, casi sinfónicos.
Las texturas de órgano y la guitarra expresiva crean una atmósfera oscura e inmersiva, cinematográfica y profundamente emocional.
Un referente del prog alemán temprano—ambicioso, poderoso e impresionante de principio a fin.

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Gomorrha – Trauma (1971, Germany)

Una fusión oscura y sombría de heavy psych y rock progresivo temprano, impulsada por guitarras crudas y una atmósfera intensa, casi gótica.
Sus temas largos alternan entre pasajes melancólicos y clímax explosivos, creando un flujo emocional dramático que es a la vez vulnerable y feroz.
La producción es áspera pero expresiva, dando al álbum un carácter inquietante y subterráneo que encaja perfectamente con sus temas.
Una gema de culto poderosa—sombría, inmersiva y uno de los discos más evocadores del prog-psych alemán de principios de los 70.

Web – I Spider (1970, UK)

Web – I Spider (1970, UK)

A dark, jazz-tinged progressive masterpiece blending moody organ textures, fluid guitar lines and intricate rhythmic interplay with a brooding emotional weight.
Its long, evolving pieces move between smoky, atmospheric passages and tense, dramatic climaxes, creating a deeply cinematic flow.
The addition of Dave Lawson’s expressive vocals and keyboards gives the music a unique, angular sophistication that anticipates Greenslade.
A cult classic of early British prog—intelligent, shadowy and one of the most distinctive jazz-prog hybrids of the era.

Web – I Spider (1970, UK)

Un híbrido oscuro entre jazz-prog y art-rock británico, cercano a Colosseum, Soft Machine y el King Crimson de Lizard.
Sus piezas largas alternan tensión atmosférica con estallidos rítmicos complejos, muy estilo Canterbury pero más sombrío.
La presencia de Dave Lawson anuncia claramente el sonido futuro de Greenslade.
Una obra de culto del prog británico—inteligente, angular y uno de los discos más singulares del jazz-prog UK.

Heaven – Brass Rock 1 (1971, UK)

 

Heaven – Brass Rock 1 (1971, UK)

A lush, horn-driven blend of progressive rock, jazz-coloured arrangements and warm British melodic sensibility.
Its long tracks shift gracefully between soft pastoral moods and powerful brass crescendos, creating a rich emotional landscape.
Despite the large ensemble, the music remains intimate and lyrical, with subtle symphonic touches woven through the arrangements.
A beautiful and underrated gem—perfect for listeners who enjoy early UK prog with a soulful, orchestral glow.

Blues Creation – Demon & Eleven Children (1971, Japan)

 

Blues Creation – Demon & Eleven Children (1971, Japan)

A powerful fusion of heavy psych, blues-driven riffs and early progressive energy, delivered with a dark, dramatic Japanese edge.
Its long tracks unfold with raw intensity, yet retain a strong melodic core that keeps the music emotionally gripping.
The guitar work is fiery and expressive, shifting from explosive solos to haunting, slow-burning passages.
A cult masterpiece of Japanese underground rock—bold, atmospheric and unforgettable.

The Way We Live – A Candle for Judith (1971, UK)

The Way We Live – A Candle for Judith (1971, UK)

A beautifully earthy mix of pastoral psych and early underground prog, filled with warm acoustic textures and emotionally charged guitar passages.
Its songs drift between intimate rural calm and heavier, more atmospheric outbursts, creating a deeply human, handmade feel.
The production is raw but spacious, giving the music a sense of open countryside and youthful creative freedom.
A quietly magical precursor to Tractor—intimate, melodic and one of the most evocative rural-prog obscurities of the early 70s.

Tractor – Tractor (1972, UK)

 

Tractor – Tractor (1972, UK)

A raw yet richly atmospheric blend of psych-prog and rural British rock, driven by expressive guitar lines and spacious, echo-drenched production.
Its songs balance gritty intensity with moments of pastoral calm, creating a unique mood somewhere between cosmic rock and moody underground prog.
The duo format gives the music an intimate, handmade quality, while the arrangements remain surprisingly expansive and evocative.
A cult classic from the Dandelion label—earthy, emotional and one of the finest hidden gems of early-70s UK progressive psych.

Capability Brown – From Scratch (1972, UK)

 

Capability Brown – From Scratch (1972, UK)

A beautifully arranged blend of soft progressive rock and rich six-part male vocal harmonies, giving the album a warm, choral, deeply British character.
Its songs move gracefully between pastoral calm and subtle symphonic flourishes, always anchored in melodic clarity and emotional restraint.
The band’s intricate vocal layering creates moments of luminous beauty, lifting even the quieter passages into something quietly majestic.
A forgotten treasure of early-70s UK prog—refined, heartfelt and perfect for fans of Cressida, Spring and the gentler side of Charisma Records.

Man – Back into the Future (1973, UK/Wales)

 

Man – Back into the Future (1973, UK/Wales)

A bold double-album that blends melodic progressive rock with expansive live improvisations, showcasing the band’s warm, free-flowing Welsh character.
The studio material is lyrical and thoughtfully arranged, while the live side bursts with glowing guitar interplay and psychedelic depth.
Despite its length, the record maintains a coherent emotional arc, moving seamlessly from gentle introspection to soaring, cosmic jamming.
A cornerstone of Man’s catalogue—ambitious, soulful and one of the most rewarding progressive releases of early-70s Britain.

Irish Coffee – Irish Coffee (1971, Belgium)

 

Irish Coffee – Irish Coffee (1971, Belgium)

A powerful blend of heavy progressive rock and soulful, melodic vocals, driven by thick organ lines and expressive guitar phrasing.
Despite its hard-edged energy, the album maintains a strong emotional warmth, with songs that feel both intense and deeply human.
The arrangements strike a perfect balance between gritty rock dynamics and early-prog sophistication.
A cult classic of European underground prog—raw, passionate and unforgettable.

Julian’s Treatment – A Time Before This (1970, UK)

 

Julian’s Treatment – A Time Before This (1970, UK)

A mystical, sci-fi progressive concept piece driven by warm organ textures, spoken-narrative passages and evocative, dreamlike atmospheres.
Its blend of psych-prog, early symphonic hints and theatrical storytelling creates a uniquely immersive world.
Despite its cosmic premise, the music remains deeply melodic, unfolding with a gentle emotional glow and a strong sense of mood.
A captivating underground gem—strange, imaginative and unlike anything else in the early British prog landscape.

Julian’s Treatment – A Time Before This (1970, UK)

Un álbum conceptual psicodélico-progresivo cargado de teclados, narratividad fantástica y atmósferas cósmicas.
Tiene afinidades con Hawkwind temprano y con el psych británico más barroco tipo Arzachel.
La mezcla de voz femenina y arreglos espaciales le da un aura única e inmersiva.
Una obra de culto psicodélico—mística, peculiar y llena de encanto sci-fi setentero.

Jody Grind – Far Canal (1970, UK)

 

Jody Grind – Far Canal (1970, UK)

A tighter, more progressive and musically sophisticated album than its predecessor, filled with intricate organ work and sharp, inventive guitar lines.
The band leans further into jazz-prog territory, blending rhythmic complexity with a strong melodic sense that keeps the music engaging.
Its arrangements feel bolder and more assured, balancing power and subtlety with remarkable ease.
A brilliant and undervalued slice of early British prog—ambitious, colourful and bursting with creative confidence.

Jody Grind – One Step On (1969, UK)

Un potente cruce entre jazz-rock, proto-prog y psicodelia con órgano Hammond dominante.
Tiene claros paralelos con Brian Auger y el lado más groove de Colosseum.
La banda se mueve con una soltura instrumental impresionante, especialmente en los pasajes improvisados.
Una referencia imprescindible para los amantes del Hammond británico potente y elegante.

Titus Groan – Titus Groan (1970, UK)

 

Titus Groan – Titus Groan (1970, UK)

A beautifully crafted blend of symphonic rock, pastoral moods and woodwind-driven arrangements, giving the album a warm, distinctly British character.
Its long-form pieces unfold with graceful dynamics, moving from gentle acoustic passages to rich, melodic climaxes.
The interplay between guitar, flute and sax adds colour and emotional depth without ever overwhelming the compositions.
A true cult gem—elegant, atmospheric and essential for fans of Cressida, Spring and the softer side of early UK prog.

Titus Groan – Titus Groan (1970, UK)

Un prog-rock temprano vibrante y sofisticado, con saxos expresivos y dinámicas muy teatrales.
Su sonido recuerda al Van der Graaf Generator de la primera época, pero con un toque más melódico y accesible.
Las suites largas muestran una imaginación enorme y una energía casi jazzística.
Una joya subvalorada del prog británico—compleja, dramática y muy carismática.

Ginhouse – Ginhouse (1971, UK)

 

Ginhouse – Ginhouse (1971, UK)

A warm, melodic blend of early progressive rock and British art-pop, driven by tasteful guitar work and understated symphonic touches.
Its arrangements balance gentle acoustic moments with more dramatic, organ-coloured passages, giving the album a rich emotional range.
The songwriting feels honest and finely crafted, with a reflective tone that leans toward the pastoral side of UK prog.
A quietly beautiful cult classic—perfect for listeners drawn to the softer, more intimate corners of early-70s progressive rock.

Ginhouse – Ginhouse (1971, UK)

Un hard-prog británico vibrante, con riffs sólidos, voces redondas y un toque melódico muy propio de la época.
Comparables al Wishbone Ash temprano pero con un enfoque más directo y áspero.
Los arreglos son sencillos pero efectivos, manteniendo siempre una energía compacta y dinámica.
Una pieza única del rock británico de 1971—cruda, emotiva y sorprendentemente consistente.

Mirror – Daybreak (1976, UK)

 

Mirror – Daybreak (1976, UK)

A gentle, reflective slice of soft progressive rock with warm keyboards, clean guitars and a distinctly pastoral British glow.
Its songs unfold with a calm, sunrise-like clarity, balancing subtle symphonic touches with intimate melodic writing.
There’s a delicate emotional transparency here—nothing forced, everything quietly heartfelt and gracefully arranged.
A charming and little-known treasure, ideal for fans of Cressida, Byzantium and the softer side of early-70s UK prog.

Mirror – Mirror (1970, USA)

Rock psicodélico con toques progresivos, guitarras atmosféricas y un carácter suave pero misterioso.
Tiene cierta afinidad con grupos como H.P. Lovecraft y el lado más onírico de Ultimate Spinach.
Las melodías flotantes crean un clima introspectivo y ligeramente surrealista.
Una rareza americana delicada, evocadora y llena de encanto.

High Tide – Sea Shanties (1969, UK)

 

High Tide – Sea Shanties (1969, UK)

A fierce, violin-driven collision of early progressive rock, heavy psychedelia and gothic atmosphere, unlike anything else of its era.
The interplay between Tony Hill’s raw guitar and Simon House’s electric violin creates a dark, swirling tension that feels both primal and visionary.
Despite its heaviness, the album carries a strange melodic beauty, emerging through long, dramatic passages full of emotional weight.
A cult essential—intense, hypnotic, and one of the most daring foundations of British proto-prog.

High Tide – Sea Shanties (1969, UK)

Un torbellino de proto-prog oscuro, guitarras incendiarias y violín eléctrico furioso e inconfundible.
Comparables al King Crimson de In the Court pero mucho más duros y desatados, casi proto-metal.
La densidad de su sonido está años por delante de su tiempo, con estructuras complejas y un dramatismo brutal.
Uno de los discos más salvajes e influyentes del underground británico.

Gravy Train – Ballad of a Peaceful Man (1971, UK)

 

Gravy Train – Ballad of a Peaceful Man (1971, UK)

A beautifully balanced mix of melodic progressive rock and gentle flute-led passages, wrapped in a warm, distinctly British atmosphere.
Its softer symphonic moments contrast gracefully with bursts of emotional intensity, giving the album a rich dramatic arc.
The songwriting is heartfelt and expressive, with arrangements that feel both intimate and quietly ambitious.
A forgotten treasure—perfect for listeners who enjoy the elegant, melancholic side of early 70s UK prog.

Ikarus – Ikarus (1971, Germany)

Un prog-jazz oscuro y sofisticado con secciones vocales teatrales y arreglos instrumentales complejos.
Tiene afinidad con el Colosseum más experimental y el lado más dramático del Canterbury temprano.
Los pasajes instrumentales se desarrollan con gran tensión y climas densos.
Una joya del underground alemán—intenso, creativo y profundamente atmosférico.

Ikarus – Ikarus (1971, Germany)

 

Ikarus – Ikarus (1971, Germany)

A rich, atmospheric blend of symphonic prog and jazz-infused psychedelia, driven by expressive saxophone and swirling organ lines.
Its long, evolving tracks balance tension and serenity, creating a dreamlike flow that feels both mysterious and emotionally charged.
The arrangements are adventurous but never chaotic, with a melodic sensibility that softens the sharper experimental edges.
A deeply immersive underground classic—perfect for fans of sophisticated, moody European prog with cinematic depth.

Ikarus – Ikarus (1971, Germany)

Un prog-jazz oscuro y sofisticado con secciones vocales teatrales y arreglos instrumentales complejos.
Tiene afinidad con el Colosseum más experimental y el lado más dramático del Canterbury temprano.
Los pasajes instrumentales se desarrollan con gran tensión y climas densos.
Una joya del underground alemán—intenso, creativo y profundamente atmosférico.

McChurch Soundroom – Delusion (1971, Switzerland/Germany)

McChurch Soundroom – Delusion (1971, Switzerland/Germany)

A dark, flute-driven blend of heavy psych and early prog, full of brooding riffs, spectral atmospheres and dramatic dynamic shifts.
Its long tracks weave together menacing guitar lines, eerie flute melodies and swirling organ textures, creating a tense, hypnotic mood throughout.
The album feels raw yet remarkably sophisticated, moving from gentle pastoral passages to explosive, almost sinister climaxes.
A cult masterpiece of Euro-underground prog—mysterious, powerful and one of the most haunting obscurities of the early ’70s.

McChurch Soundroom – Delusion (1971, Switzerland/Germany)

Un oscuro híbrido de heavy-psych y primer prog que recuerda al lado más sombrío de Jethro Tull, Black Widow y los pasajes tensos de Van der Graaf.
La flauta “ritual”, combinada con guitarras densas y órgano espectral, genera una atmósfera hipnótica de tensión constante.
Los temas largos se mueven del pastoralismo inquietante al estallido eléctrico cercano a T2 o High Tide.
Una joya del underground europeo—misteriosa, cruda y muy vinculada al kraut oscuro de grupos como Virus o Hairy Chapter.

Orang-Utan – Orang-Utan (1971, UK/USA)

 

Orang-Utan – Orang-Utan (1971, UK/USA)

A raw yet surprisingly melodic blend of heavy-psych and early progressive rock, full of warm guitar tones and expressive riffs.
Beneath its earthy energy lies a strong emotional core, with songs that drift between gritty intensity and reflective, almost pastoral moments.
The production is rough around the edges, but this only adds to its underground charm and authenticity.
A cult treasure—perfect for listeners who enjoy obscure early-70s psych-prog with heart and atmosphere.

Orangutan – Orangutan (1971, UK)

Un hard-prog crudo y directo, cargado de riffs secos, voces potentes y una energía muy británica.
Suena como un punto intermedio entre Leaf Hound y May Blitz, con más melodía de lo que aparenta.
Las guitarras fuzz aportan una textura áspera y eléctrica que define el álbum.
Una pieza esencial para quienes buscan rock duro británico temprano.

Dragonwyck – Dragonwyck (1970, USA)

 

Dragonwyck – Dragonwyck (1970, USA)

A dark, atmospheric blend of early progressive rock and psychedelic melancholy, carried by haunting vocals and moody organ lines.
Its slow-burning tracks unfold with a dramatic, almost gothic tone, yet stay melodic and emotionally focused.
The band’s sense of space and tension gives the music a hypnotic, dreamlike quality that lingers long after it ends.
A true underground gem—mysterious, elegant, and essential for fans of obscure early 70s psych-prog.

Dragonwyck – Dragonwyck (1970, USA)

Una mezcla oscura entre psicodelia tardía y proto-prog, dominada por órgano y un aura gótica muy marcada.
Tiene reminiscencias claras del The Doors más sombrío y del primer Iron Butterfly por su atmósfera hipnótica.
Las composiciones son sencillas pero profundamente evocadoras y llenas de tensión.
Una joya privada del underground estadounidense—misteriosa, dramática y magnética.

Krokodil – An Invisible World Revealed (1971, Switzerland)

 

Krokodil – An Invisible World Revealed (1971, Switzerland)

A hypnotic fusion of early psych-prog, spacey atmospheres and fluid guitar work, drifting between desert-blues moods and cosmic exploration.
Its long tracks build slowly, weaving sitar, flute and fuzz-guitar into a warm, immersive soundscape.
Despite its experimental edge, the album maintains a strong melodic core that feels emotional and strangely comforting.
A cult classic of European underground prog—mystical, adventurous, and endlessly replayable.

Krokodil – An Invisible World Revealed (1971, Switzerland)

Una mezcla atmosférica de psicodelia pesada, folk ácido y momentos progresivos de carácter muy europeo.
Algunas secciones recuerdan la crudeza psicodélica de Amon Düül II, pero con un toque más melódico y accesible.
Su uso del sitar y las texturas orientales le dan una identidad totalmente personal.
Una joya suiza del underground—variada, única y muy evocadora.

Out of Focus – Out of Focus (1971, Germany)

Out of Focus – Out of Focus (1971, Germany)

A rich, atmospheric blend of krautrock and progressive jazz-rock, full of fluid improvisation and warm analog textures.
Its long instrumental passages drift between dreamy melancholy and controlled tension, always anchored by expressive guitar work.
The sax-and-organ interplay gives the album a distinct emotional depth, balancing freedom with thoughtful structure.
A deeply immersive and underrated gem—perfect for listeners who appreciate melodic psychedelia with a progressive backbone.

Out of Focus – Wake Up! (1971, Germany)

Un cruce vibrante de jazz-rock, psicodelia y prog temprano, lleno de energía improvisada y guitarras expansivas.
Su estilo conecta claramente con el Soft Machine más eléctrico y algunos matices del Canterbury experimental.
Los vientos añaden color y movimiento constante a las estructuras largas del álbum.
Un clásico del kraut-jazz—intenso, libre y muy creativo.

Salamander – The Ten Commandments (1971, UK)

 

Salamander – The Ten Commandments (1971, UK)

A softly arranged, pastoral-leaning progressive album with warm male vocals and gentle symphonic touches.
Its organ-led melodies and understated harmonies create a serene, almost devotional atmosphere.
The songwriting is simple but heartfelt, unfolding with a calm emotional clarity that feels very British.
A charming obscurity—perfect for listeners who enjoy the softer moments of Spring, Cressida or Byzantium.

Salamander – The Ten Commandments (1971, UK)

Un álbum conceptual suave y melódico, donde el prog ligero se mezcla con arreglos teatrales y atmósferas cálidas.
Tiene cierta afinidad con el Procol Harum más pastoral y algunas pinceladas del Moody Blues temprano.
Sus teclados luminosos y su tono narrativo le dan un carácter íntimo y evocador.
Una rareza británica cuidada y muy agradable de escuchar.

Farm – Farm (1971, USA)

 

Farm – Farm (1971, USA)

A warm, organic blend of psychedelic-tinged progressive rock with soft, flowing guitar lines.
Its melodies carry a gentle, pastoral atmosphere that feels intimate and deeply human.
The long jams unfold slowly, with a relaxed emotional clarity that avoids excess and embraces subtle beauty.
A quietly enchanting obscurity, perfect for fans of mellow, melodic early-70s prog with a rural glow.

Farm – Farm (1971, USA)

Un rock-blues psicodélico con largos desarrollos instrumentales, sostenido por guitarras cálidas y un groove muy orgánico.
El ambiente recuerda a grupos como The Allman Brothers en su faceta más jam y al rock sureño temprano.
El clima es relajado pero emotivo, con pasajes que respiran aire rural y melancolía americana.
Una joya privada del underground USA—suave, natural y sorprendentemente inspirada.

The Move – Looking On (1970, UK)

The Move – Looking On (1970, UK)

Proto-prog psych with symphonic touches.

Titus Groan – Titus Groan (1970, UK)

 

Titus Groan – Titus Groan (1970, UK)

Symphonic-psych prog with woodwinds; close to Cressida and Gracious!.

Autumn – Oceanworld (1977, UK)

 

Autumn – Oceanworld (1977, UK)

A gentle, melodic slice of late-70s symphonic prog, full of warm keyboards and soft emotional glow.
Its arrangements feel fluid and dreamlike, with a distinctly British sense of melancholy and light.
The instrumental passages are beautifully crafted, never flashy, always lyrical and heartfelt.
A forgotten gem that sits perfectly beside Camel, Fantasy and the softer side of Fruupp.

Comus – First Utterance (1971, UK)

 

Comus – First Utterance (1971, UK)

Dark, chilling, masterful. A cornerstone of experimental prog-folk.

Message – From Books and Dreams (1973, Germany/UK)

Message – From Books and Dreams (1973, Germany/UK)

A powerful and shadowy fusion of progressive rock, space-psych and jazz-coloured heaviness, driven by soaring guitar work and urgent, emotional vocals.
Its long pieces unfold like fever-dreams—shifting from atmospheric tension to explosive, spiralling climaxes with remarkable fluidity.
The production is dark, spacious and slightly sinister, giving the music a haunting, nocturnal character that feels uniquely European.
A cult classic of the German/UK nexus—intense, imaginative and one of the most compelling underground prog albums of the early ’70s.

Message – From Books and Dreams (1973, Germany/UK)

Prog pesado y atmosférico que mezcla el dramatismo británico (Crimson, Greenslade) con la crudeza oscura del krautrock estilo Neu! o German Oak.
Las piezas extensas fluyen como alucinaciones: texturas espaciales, guitarras ardientes y estallidos rítmicos casi psicodélicos.
El tono vocal y la imaginería recuerdan a Guru Guru, pero con una base más melódica y estructurada.
Una obra clave del prog germano–británico—intensa, visionaria y comparable en fuerza a Amon Düül II o Epitaph.